- [ ] Bewes (2022), *Free Indirect: The Novel in a Postfictional Age* - [ ] Carson (1990), ["'Just for the Thrill': Sycophantizing Aristotle's *Poetics*"](https://www.jstor.org/stable/20163448)[^1] - [ ] Cave (1988), *Recognitions: A Study in Poetics*[^1] - [ ] Cave (2017), *Thinking with Literature: Towards a Cognitive Criticism*[^1] - [ ] Cowell (1927), “Our Inadequate Notation” - [ ] Cowell (1927), “New Terms for New Music” - [ ] D'Erasmo (2024), *The Long Run: A Creative Inquiry* - [ ] Derrida (2020), *The Truth in Painting* - [ ] Dore (1991), *A Fable of Modern Art* - [ ] Finkelstein (ed., 2010), *On Mount Vision: Forms of the Sacred in Contemporary American Poetry* - [ ] Glück (1993), ["Disruption, Hesitation, Silence"](https://www.jstor.org/stable/27781253)[^3] - [ ] Kermode (1967), *The Sense of an Ending: Studies in the Theory of Fiction* - [ ] Largier (2009), ["Mysticism, Modernity, and the Invention of Aesthetic Experience"](https://german.yale.edu/sites/default/files/largier_mysticism.pdf) - [ ] Meis (2020), *The Drunken Silenus: On Gods, Goats, and the Cracks in Reality* - [ ] Meis (2022), *The Fate of the Animals: On Horses, the Apocalypse, and Painting as Prophecy* - [ ] Meis (2025), *On Going to Hello, to France, and Back to Childhood* - [ ] Perl (2021), *Authority and Freedom: A Defense of the Arts* - [ ] Pinto and Ceccarelli (eds.) (2025), ["Conversations on Expanded Publishing"](https://etherport.org/publications/inc/expub_Expert_Session/) - [ ] Rosen (1994), *The Frontier of Meaning* - [ ] Schoenberg (1912), "The Relationship to the Text" - [ ] Smith (2005), [*Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet*] - [ ] Stewart (2002), *Poetry and the Fate of the Senses* - [ ] Stewart (2005), *The Open Studio: Essays on Art and Aesthetics* - [ ] Stewart (2011), *The Poet's Freedom: A Notebook on Making" - [ ] Stewart (2025), *Poetry's Nature* - [ ] Vitruvius, *Ten Books on Architecture*[^2] ## Dance - [ ] Tanowitz (2018), *Four Quartets* - [ ] Tanowitz (2022), *Song of Songs* - [ ] Tanowitz (2025), *Pastoral* [^1]: Hammad (2024), *Recognizing the Stranger: On Palestine and Narrative* [^2]: Perl (2021), *Authority and Freedom: A Defense of the Arts* [^3]: Chiasson (2026), ["Think for Yourself"](https://www.nybooks.com/articles/2026/06/25/think-for-yourself-ai-dan-chiasson/)